Monthly Archives: November 2012

It’s the Skyfall.  It’s the Skyfall. It’s the SkyFALL.  But what is the Skyfall?  The ‘house’ in ‘Scotland’?  (how can anyone tell the live plate from the matte these days?  I so wanted to believe that was a real house, … Continue reading →

What a word, preposterous.  Terence Malick’s Tree of Life inaugurated a new film genre, for me: Preposterous Cinema.   Or as Michael Wood put it, in the London Review of Books: There is a mystery about Terrence Malick’s new movie, but … Continue reading →